Below are some performances, books and articles which influenced my project. 

Bradley, Simon. “History to go: oral history, audiowalks and mobile media”. Oral History, 40.1 (2012): 99-110. Print.

Butler, Toby. “Linked: a landmark in sound, a public walk of art”. Cultural Geographies 12.1 (2005): 77-88. Print.

Cardiff, Janet. “The Missing Voice (Case Study B)”. Artangel. Artangel, n.d. Web. 25 Apr. 2016. >

Cross, Tim. The Lost Voices of World War 1: An International Anthology of Writers, Poets & Playwrights. Iowa: University of Iowa Press, 1989. Print.

Heddon, Deirdre. “Performing the archive: following in the footsteps”. Performance Research 7.4 (2002): 64-77. Print.

—. “The Horizon of Sound Soliciting the earwitness”. Performance Research, 15.3 (2010): 36-42. Print.

—. and H. Iball, and R. Zerihan. “Come closer: confessions of intimate spectators in one to one performance”. Contemporary Theatre Review, 22.1 (2012): 121-134. Print.

Miller, Graeme. Linked. Arts Admin, n.d. Web. 28 Apr. 2016. <>

Nield, Sophie. “’Speeches that draw tears’: theatricality, commemoration and social history”. Social History, 39.4 (2014): 547-556. Print.

Pearson, Mike. In Comes I: performance, memory and landscape. Exeter: University of Exeter Press, 2006. Print.

Pearson, Mike and Michael Shanks. Theatre/Archaeology. London: Routledge, 2001. Print.

Protokoll, Rimini. “Outdoors”. National Theatre Wales. National Theatre Wales, n.d. Web. 25 Apr. 2016. < >

Smith, Phil. “Walking Based Arts: A Resource for the Guided Tour?”. Scandinavian journal of hospitality and tourism, 13.2 (2013): 103-114. Print.

Turner, Cathy. “Palimpsest or Potential Space? Finding a Vocabulary for Site-Specific Performance” New Theatre Quarterly, 20.4 (2004): 373-90. Print.

—. “Mis-Guidance and Spatial Planning: Dramaturgies of Public Space”. Contemporary Theatre Review, 20.2 (2010): 149-161. Print.

Whitehead, Anne. “Collective Memory”. Memory (New Critical Idiom). London: Routledge, 2008. 123–153. Print.

Wilkie, Fiona. “Mapping the Terrain: a Survey of Site-Specific Performance in Britain”. New Theatre Quarterly, 18.2 (2002): 140-160. Print.

—. “Wri(gh)ting and Walking”. A journal of performance and art, 29.2 (2007): 108-112. Print.